Jason Bailey is film editor for Flavorwire. His work has appeared at The Atlantic, Slate, Salon, and the Dissolve. He is the author of books on 'Pulp Fiction,' Woody Allen, and Richard Pryor.

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Cecilbdemented article
FLAVORWIRE

Lynch, Waters, Soderbergh, and the Death of Mid-Budget Cinema

While we weren’t looking, the mid-budget adult-oriented motion picture has all but disappeared. And the gifted directors behind them are in danger of disappearing as well.

Physical media article
FLAVORWIRE

The Premature Death of Physical Media

Yet in the face of the overwhelming trends and depressing statistics, a handful of home video distributors are still fighting the good fight – serving that underserved minority by hanging on to a seemingly outdated medium.

Open uri20130628 20786 11fpnwg article
FLAVORWIRE

Richard Pryor's Most Fascinating Movie Is a 13-Minute YouTube Video

The most riveting footage ever captured of the comedian was shot on the set of Stir Crazy, his biggest box-office hit. But it was nothing that made into that film, a formulaic buddy movie; indeed, it is doubtful that the film was seen anywhere except on the Internet, all these years later.

Pam article
FLAVORWIRE

The Enduring Appeal (and Unfortunate Novelty) of Pam Grier

What was it that made Pam Grier so special — and has made her endure for so long?

Silenceofthelambs article
FLAVORWIRE

Celebrating the Least Influential Element of the Very Influential 'Silence of the Lambs'

'Lambs'’ most interesting innovation was director Jonathon Demme’s groundbreaking use of the subjective camera – in a way that has, oddly, seldom been replicated or even attempted since.

Magic1 article
FLAVORWIRE

Woody Allen, ‘Magic in the Moonlight,’ and the Elephant in the Room

Ninety-nine percent of the writing about Woody Allen in the past year was rooted in that story. And now we were all being told to pretend like this ubiquitous scandal never happened.

Avatar bios article
FLAVORWIRE

Inside the Weird World of Twitter's Celebrity-Impersonating "Parody" Accounts

In the past, if you wanted to be a celebrity impersonator, you had to bear a resemblance, invest in wigs and costumes and makeup, and put together an act. Nowadays, all you need is an email address...

Stations article
FLAVORWIRE

Home Movies: Watching New York City Transform on Film

Films like 'Taxi Driver' and 'Midnight Cowboy' and 'Shaft' and 'Pelham 123' and 'The French Connection' aren’t just great, atmospheric New York movies; they’re accidental documentaries, capturing a specific moment in our city’s history that is long, long gone.

Inside out1 article
FLAVORWIRE

Let’s Talk About the One Bad Scene that Kept ‘Inside Out’ From Greatness

Inside Out is wonderful - except for one scene. That scene. You know the one.

Rey1 article
FLAVORWIRE

‘Star Wars: The Force Awakens’ Doesn’t Have a “Mary Sue” Problem – Its Critics Do

Some dudes on the Internet are mad that Rey, the new protagonist played with charm and pizzazz by Daisy Ridley, is so capable, skilled, and talented? Huh. Imagine that.

Guardians1 article
FLAVORWIRE

'Guardians of the Galaxy' and Marvel's Third-Act Problem

The trouble is, it’s only irreverent to a point, and when the time comes to wrap things up, Gunn plays it strictly by the book. And this is becoming a real problem in the Marvel Cinematic Universe.

American sniper1 article
FLAVORWIRE

'American Sniper' Is Not Your Culture-War Talking Point

According to the paper of record, “Bubba-ville” got its very own motion picture this weekend, and a controversy to go with it — all of which would be much more convenient if the film in question actually were the simplistic flag-waver that it’s being labeled as, on both sides of the political/cultural divide.

Thr directors 2015 article
FLAVORWIRE

'The ‘Hollywood Reporter’ Director Roundtable Is Everything That’s Wrong With Awards Season (and Hollywood)

It’s the sheer sense of déjà vu in the group, a monotonous return of the same damn voices saying the same damn things.

Birth of a nation1 article
FLAVORWIRE

Sundance Review: The Birth of a Nation | Flavorwire

You can feel his blood pulsing through every frame of 'Birth of a Nation,' a vital, stirring, and powerful film by and about people of color – and which arrives like a hand grenade in the midst of a deafeningly loud discussion about why that’s such a rarity in contemporary Hollywood.

Movie screen article
FLAVORWIRE

The Movie Press’ Oscar Obsession Is Ruining Fall Film Festivals for Everyone

Maybe Telluride and Toronto are still prized destinations for film lovers, but just about all I’m reading out of them are dispatches on what each new premiere does to next year’s Oscar race. Who cares?